I just had a blind date with a book.
What happens to us after we die? What happens before we are born? At once a riveting mystery and a testament to the profound connection between a child and parent, The Forgetting Time will lead you to reevaluate everything you believe…
Four-year-old Noah has fear of water and refuses to take a bath or even wash his hands, he also suffers from nightmares and constantly asks his mom to take him ‘home’ and to see his ‘other mom’.
“Not now Noah? I see. It happened in another time.”
“Yes, when I was big.”
Janie, Noah’s mom, is shaken and confounded by her son’s behavior. This is his home and she is his mom. Noah knows about things he has never been exposed to – the Harry Potter books, lizards, and how to score a baseball game. Is Noah the reincarnation of another boy who died? Janie is skeptical but enlists the help of a Dr. Anderson, who has researched and documented this phenomenon. Together they begin a journey that rattles not only their beliefs about Noah’s situation, but also their own lives.
Really Book Barmy? Reincarnation? No, not for me, you’re thinking. I thought the very same thing, but I must tell you, by the end of the second chapter, I was immediately smitten with The Forgetting Time.
This book has multiple layers. It’s a thought-provoking look into reincarnation. But it’s also a murder mystery. There is much about hurt, fear, aging, and death. But mostly, The Forgetting Time is about the connections humans have with each other. It shouldn’t all work together — but it does – and does so very well.
With her beautiful prose, Ms. Guskin chases away any doubts about reincarnation, and creates a world where we believe in the real possibility that there is life beyond the one, singular one we all have before us.
“You only live once. But was it true? That was the problem, wasn’t it? She had never thought about it in any deep way. She hadn’t had the time or inclination to speculate about other lives: this one was hard enough to manage.”
Interspersed throughout the book are fascinating case studies of other children with inexplicable memories of previous lives. And so the author steadily draws the reader into reality of what is happening to Noah and the possibility of a life reborn.
There is much to think about when reading this novel, lives well (or not so well) lived, death, loss, hope — and the constantly changing human experience.
“…[Dr. Anderson] thought of Heraclitus: a man cannot step in the same river twice, for it is not the same river, and he is not the same man.”
When evaluating this blind date, I have never read anything quite like The Forgetting Time – I found it both thought provoking and unforgettable. And while I still don’t know how much I believe in reincarnation — this book left me wanting to believe.
An advanced readers copy was provided by Flatiron Books
Remember THIS post?
Well it’s here. Agatha Raisin has come to American PBS (check your local listings). The other evening, nursing a hurt back, and with a mild pain reliever, I tuned into the first two in this series.
As always, when transferring my brain from book to the screen — there are adjustments to be made. The story lines have been condensed to fit into 60 minute segments, so you can’t be too tied to the books. But, I’m happy to report that, all in all, this is a very good adaptation.
Just like Jessica Fletcher in the Murder, She Wrote series, death and disaster follow Agatha into the small Cotswold village where she has chosen to retire from her public relations business. And, what a village — the cottages are postcard pretty and while Agatha has moved into the perfect cottage she’s decorated it with ultra modern London furnishings.
Agatha doesn’t fare well in her new fictional village of Carsley. She wears heels and tight skirts around the village, she steals her neighbor’s cleaning woman, tries to wheedle tips on the perfect quiche from the baking competition judge, who then propositions her when his wife steps away. Agatha’s perfect cottage is robbed, she enters a quiche purchased in London for the village baking competition, and while her quiche doesn’t win — it does kill someone…(no spoilers here).
As her friend and former employee Roy sums it up for her, “Look at it positively, Aggie, you’ve already cheated, been burgled, killed someone, and you’ve been wanted by the police. It’s plain sailing from here.”
The casting of the series is excellent, especially Agatha and DC Bill Wong. The village residents are, as in the books, completely taken aback by Agatha and her bumbling attempts to fit into village life. “You could give me a few hints on how to do the things that people do when they do things around here,” she pleads with a fellow village resident.
Just as the written series, the TV adaption is light, funny, and serious mental powers are not required — in fact it actually helps to be in a silly mood (or, as in my case, on pain meds).
So pop some popcorn and take a lovely break from day-to-day reality — go visit the Cotswolds with the delightful Agatha Raisin.
“A brilliant exploration of what it meant to be a slave owner in antebellum Virginia where farming depended on slaves, and their presence in the household gave them an intimacy with family members that could be both comforting and threatening. This story of Thomas Jefferson’s devoted daughter, the indomitable Martha Jefferson Randolph, helps us understand all the complexities and contradictions endured by Martha and her family as they struggle with their consciences and responsibilities toward their families, their plantations, and the people who work for them. Highly recommended as an engrossing tale of a strong woman in tumultuous times, with deftly interwoven historical details that make her trials all the more authentic.”
— Library Journal
Historical fiction fascinates me, but only when the author doesn’t stray too far from actual events. Ms. Gunning actually based this historical novel on actual correspondence between Thomas Jefferson and his eldest daughter Martha. The author says:
As soon as I came across a letter the fourteen year-old Martha Jefferson wrote: “I wish with all my soul that the poor Negroes were all freed . . .” I was hooked. I read all of Martha’s letters to her father and his to her.
The book follows Martha Jefferson Reynolds, her revered father Thomas Jefferson, and their families as they live their lives and make history at Monticello during the late 1700’s to early 1800’s.
Martha adores her father and wishes nothing more than to work with him to build and manage the Monticello plantation. But her relationship with her father is complicated not only by the entire issue of slaves, but the intimacy between her father the coddled slave, Sally Hemings.
While this strained relationship with her father is crucial to her life, the majority of the book is devoted to her difficult marriage. Martha marries Tom Randolph and over the years, gives birth to 12 (yes 12!) children. Martha and Tom struggle. Tom is often depressed and their financial failures and dependence on Thomas Jefferson further threatens their marriage.
(One reviewer pointed out that Thomas Mann Randolph is portrayed unfairly as a weak, paranoid alcoholic who lived as a parasite on the goodwill of Thomas Jefferson. Despite the fact he served in both houses of the Virginia Assembly, became a Congressman and then Governor of Virginia.)
Monticello plays a wonderful backdrop in this novel. Nestled in the beautiful Blue Ridge Mountains, we see how the gardens were treasured. How Jefferson experimented with crops and imported plant seeds. Descriptions of the clothing, home furnishings, and architectural details of Monticello allows the reader to see it as a true home where Jefferson escaped his political worries and thrived.
But we can’t escape the fact that Monticello was a working plantation with slaves. And, even though Thomas Jefferson spoke out against the institution of slavery, at the same time he owned slaves of his own – and fathered numerous children with one of the them (Sally Hemings).
Monticello (the book) gives insight into this Jeffersonian paradox, and what is today, totally incomprehensible. We see plantation life in all its light and darkness, not to mention the usually caring, but sometimes cruel human interaction of slave and master.
Through Martha’s eyes we see Thomas Jefferson as a beloved father, an architect of our constitution, a renaissance man, and an intellectual. But most importantly, we also see him as just a man, like any other man in any other time period — struggling with the political tsunamis and conflicting morals of his time.
I was thoroughly lost in the pages of Monticello and had trouble putting it down. When I did have to stop reading, (you know meals, sleep, showering, those pesky interruptions) it took me a bit to clear my mind and return to current day life.
Monticello is one of my favorite historic sights and you must visit, but in the meantime you can see Jefferson’s library HERE. (It’s swoon-worthy)
N.B. The day after I finished this book, I purchased this other novel about Martha Jefferson. It was my birthday, I’d hurt my back and I didn’t need any more excuses — and so it goes. Another Jefferson read awaits me.
A couple of years ago, Mr. Smith was interviewed on NPR where he described his family’s real life crisis which was the genesis for The Farm.
From the interview introduction: In the spring of 2009, British author Tom Rob Smith received a disturbing phone call from his father. “And he was crying,” Smith tells NPR’s David Greene. “He never cries. And he said to me, ‘You’ve got to come to Sweden. Your mom has suffered a psychotic episode, and she’s in an asylum.’ ” Then, Smith’s mother called. She had just been released from the psychiatric hospital in Sweden, and she said everything his father had told him was a lie.
The Farm is about a couple who, like Mr. Smith’s actual parents, retire to the idyllic Swedish countryside. As the novel unfolds, Tilde the mother, has just recently been released from a mental ward and she is carefully and methodically telling her story to her son Daniel. She reveals puzzling circumstances — how she, and his father Chris, moved to the farm, not to fulfill their dreams, but because they had gone bankrupt, losing all their investments in a real estate scheme. Tilde’s story gets darker and more irrational, the crimes she’s witnessed, the conspiracies around her, and how she has been deemed a madwoman.
Tilde’s story is filled with fear and paranoia– sprinkled with some Scandinavian evil (including some shiver-worthy Nordic troll fairy stories). Tilde is a true unreliable narrator –or is she? How much is true and how much is imagined? Why was she admitted for psychiatric observation, and was it justified?
“Paranoia might be a mental illness–or a means of survival.”
All these questions and more will whisper in the back of your head as you read The Farm. At first, I didn’t know what to make of the odd structure of this book, but it gradually caught me up in its web.
The plot does not unfold in real time and there are stories within stories, but Mr. Smith does not let this get confusing. It’s fast paced, suspenseful, and often smart.
“The people you think you have known all your life can be completely different, for different reasons that you have never known anything about.”
But I had some problems with The Farm. The first was Tilde’s voice. She is supposedly “telling” the story throughout the book, but Mr. Smith gives her sometimes unrealistic dialogue. No one speaks like this: “He was trying to soothe me as if I were a startled horse.” or “As he emerged from the gloom of his underground lair.” In the same vein, I just grew tired of the singularity of Tilde’s voice — it goes on for over 200 pages. Mr. Smith breaks it up with Daniel’s point of view, but not nearly enough to prevent the story line from occasionally becoming snooze-worthy.
I hoped that finding the truth to this story was going to be tricky and astonishing, but sadly, I found the ending abrupt and obtuse. As if the author couldn’t figure out how to work out the truth and so just closed the novel with a final incomprehensible chapter. But then again, maybe life isn’t meant to be so neatly packaged.
The Farm is a suspenseful thriller, but with an unsettling ending – perhaps this is the author’s intent.
A digital advanced readers copy was provided by Grand Central Publishing via Netgalley.
This appreciation for long necks and sleek evening dresses must have caused me to acquire this book. I found it during my January book clean out and stacked it on my bedside table, unsure, but vowing to give it my 50 page audition.
The other night I picked up Elegance, and was surprised to find myself chuckling at this cute concoction. I’m not a fan of chic lit, but the premise is clever.
The author actually found a book in a second-hand store called “Elegance: A Complete Guide for Every Woman Who wants to Be Well and Properly Dressed on All Occasions” written by Genevieve Antoine Dariaux in 1964. Ms. Tassaro, with permission from Dariaux, wrote this novel based on her find. See? Clever right?
The novel uses the advice from Dariaux at the start of each chapter, such as this from the opening:
What is elegance? It is a sort of harmony that rather resembles beauty with the difference that the latter is more often a gift of nature and the former a result of art. If I may be permitted to use a high sounding word for such a minor art. I would say that to transform a plain woman in to an elegant one is my mission in life.
Our protagonist, Louise, either heeds or disregards this out-dated (and often derivative) advice as she contemplates her own disastrous life.
Louise is an imperfectly real character. Her past is filled with eating issues, difficult parents, failed relationships, and a lackluster career.
Her marriage is over:
It’s been months now – months of conversations, arguments, silences, tears. We have ‘given it one more week’ again and again and again. It’s like trying to amputate a limb with spoon.
Louise is not getting anything from her therapy sessions:
[Therapists] always want to know why; there’s not a lot of difference between a therapist and a four-year old.
She doesn’t have any close girlfriends to talk to, she’s lost, and can’t pinpoint what she really wants.
Then one day Louise finds Dariaux‘s slim volume in a London used bookshop. I just have to share this lovely passage ~~ hail comrade!:
My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don’t; it’s a passion, bordering on a spiritual illness, which cannot be explained to the unaffected.
With Dariaux’s self help book, Louise begins to change herself and her life — much goes well, some does not. She applies a self-tanning cream which turns her orange just before a job interview. Louise unwittingly invests a small fortune at a department store makeup counter and discovers fine lingerie.
Louise not only adapts to high heels, she starts opening up to those around her, breaking out of her shell. She dumps her soul-sucking therapist. She leaves her husband. Friendships are formed and she even lands a new job. In one of my favorite chapters, Louse is invited to a typical English country house weekend, which is described in delicious detail – from the village names to the parlor room games in the evening.
Louise comes into herself and her life — but it is not a fairy tale ending. It’s as imperfect and real as she is. Turns out yes, elegance has it’s rewards but also a price.
Elegance makes for a fun evening, like sharing ice cream straight from the carton with a good friend. A light and fluffy break from those dark thrillers (I’ve had enough of those for a bit) or the nightly news.
Genevieve Antoine Dariaux’s 1964 original advice volume is still in print and available – see more HERE
Elegance is Ms. Tassaro‘s first novel, published in 2003 and she has since had several best sellers in the same realm. See her books HERE.
This debut novel opens with a suburban family struggling with debt. Kyung and his wife, with their young son, are financially underwater – they owe more on their house than it is worth, their credit cards are maxed out, and the bills have been pilling up for months.
Their sense of want was always more powerful than their sense of reason.
Kyung and his parents came to the United States from Korea when he was small. But as an adult, Kyung has been estranged from his family for years, and is unwilling to ask them for help, despite the fact they are wealthy and live in an ultra-exclusive neighborhood just up the hill.
As the book opens, Kyung and his Irish-American wife, Gillian are showing their home to a realtor, who is less than enthusiastic about the probability of a good sale.
It is here, right in the first chapter, that Ms. Yun rips this typical-seen-it-before plot open and twists it into a completely unexpected direction.
As the realtor is explaining the less than ideal prospects for their home sale, they suddenly see Kyung’s mother wandering, naked and beaten, in their back yard — crying and babbling in her native Korean.
Whoa — didn’t see that coming.
I don’t want to give too much away about this compelling, but unsettling story line. There are many layers and deep issues within Shelter that must be read in context and first-hand. So, very carefully I will tell you a bit more, just to entice you to read this well crafted, but brooding novel.
The estranged family is thrust together in the wake of a violent attack on Kyung’s parents. They must live together – in Kyung’s tiny, over-mortgaged home.
Tensions quickly surface, there are old resentments, generational mistrust, and the guilt of wanting, but not being able to –forgive. Ms. Yun stirs this together with cultural dynamics, family secrets and the pressure of immigrants wanting to be American at any cost.
Ms. Yun has delivered not only a driving, suspenseful plot but also an exploration of the complexities of family, the immigrant experience, domestic violence, and the grace of forgiveness.
I warn you, Shelter is not a lighthearted read, but at the same time, I found it utterly compelling and finished it in two days.
Shelter is well worth your time. Upon finishing, you’ll be sad, but this complex and beautifully rendered novel will stick with you, as there is much to contemplate and consider.
And isn’t that why we read? For these occasional gems that stay with us long after we’ve closed the last page.
A digital advanced readers copy was provided by Picador Publishing via Netgalley in 2016.
The San Francisco Library allows users to request books, and when they become available, they are delivered to your closest branch library. My local branch is a short walk away so it’s wildly convenient. This time, when three hold items all came in at once, I was momentarily overwhelmed but pleased.
So here’s my haul:
Based on the book which I read and highly enjoyed, this film is in Swedish with English subtitles.
The film stayed very true to the book and the casting is wonderful. Rolf Lassgard’s portrayal of Ove is perfection. Even the housing development was exactly how I pictured it.
This is a heartwarming movie. Funny, sad, and loving. I recommend you read the book first, then watch this delightful film. Even Husband enjoyed it, despite the absence of guns and things blowing up.
The One Hundred Nights of Hero by Isabel Greenberg
This graphic novel was named a best book of 2016 by both NPR and Publishers Weekly, and I’d read about it on several blogs. I placed my library request for One Hundred Nights so long ago, I’d forgotten I’d done so. I opened this book, not remembering anything about it, and was soon down a rabbit hole — lost in a fairy tale. Because that is what this is – a revisionist fairy tale– a feminist retelling of The Arabian Nights.
Like Scheherazade saving her own life by telling tales, in a magical, yet misogynist medieval world, Hero must tell stories every night for 100 nights if she and her true love Cherry are to survive the sexual advances of Cherry’s evil husband and his equally wicked friend.
But it’s a far more intricate puzzle — a story of a story within a story about brave, complicated women and sisters protecting each other, usually from men. It goes deep into the legacy of female bonds and the power of storytelling.
We shall tell all the stories that are never told. Stories about bad husbands and murderous wives and mad gods and mothers and heroes and darkness and friends and sisters and lovers… Yes! And above all… Stories about brave women who don’t take s#*t from anyone.
I can’t say I loved this book — I found it charming, yet peculiar. The feminist, lesbian agenda sometimes overwhelmed the often beautiful writing and the fairy tale-like ambiance. And I found the graphics stark and not very fairy-tale-like (if that makes sense…).
But I will say, the physical experience of reading an oversize graphic novel, in a non-linear way through the story illustrations…brought me right back to being a little girl, lost in the world of a large picture book open on my lap — very, very relaxing.
Tana French’s thrillers are anything but relaxing, they are gripping, hold-you-by-the throat-and-not-let-you-go reading.
Set after In the Woods, the first book in the Dublin Murder Squad series, this book focuses on detective Cassie Maddox, the best friend of Rob Ryan, the narrator of the first book. In this installment, Cassie narrates, as she is pulled into an old undercover role
A woman is found murdered and she’d been using Cassie’s fake (and discarded) undercover identity of Lexie Madison. To complicate matters, Cassie is a dead-ringer for this this murder victim. Her commander from undercover comes up with a plan — leak to the media that Lexie wasn’t actually dead, but in a coma, and for Cassie to go back into undercover once again as the murdered Lexie to lure the killer to finish the job.
I know – say what? Utterly implausible! But when Ms. French is telling a story, you deferentially suspend disbelief as she takes you on a thoroughly gripping ride.
Cassie/Lexie assumes the persona and has to return to the house she shared with Daniel (who inherited the house), Rafe, Abby and Justin — an insular group of university students who enjoy a close and intense friendship.
As the murder squad investigates the (now revisionist) attempted murder, they confiscate the other housemates phones giving Cassie videos that she relentlessly studies in order to act, talk and “become” the murdered Lexie. Eventually Lexie returns to Whitethorn House having come out of her coma but suffering (convenient) memory loss
It took my breath away, that evening. If you’ve ever dreamed that you walked into your best-loved book or film or TV program, then maybe you’ve got some idea how it felt: things coming alive around you, strange and new and utterly familiar at the same time; the catch in your heartbeat as you move through the rooms that had such a vivid untouchable life in your mind, as your feet actually touch the carpet, as you breathe the air; the odd, secret glow of warmth as these people you’ve been watching for so long, from so far away, open their circle and sweep you into it.
The Likeness excels at its psychological insights especially for Cassie, who in her real life is lonely and shattered from her previous case. She finds friendship — nay, family, among her new Lexie friends. These blurred identities are made believable with the beautifully written scenes and well developed characters who live, love and murder within the walls of Whitethorn House. The setting and moods are almost palpable and glitter with life. But Cassie gets lost inside her assumed identity and finds herself in a maze of murder quickly spinning out of her control. This is breath-holding stuff,
As others have said, there are many similarities to Donna Tart’s A Secret History – both have dreamy academic types living together in a beautiful, run-down house.
But The Likeness makes you feel for Cassie — what she lost and can never regain. The heartbreak of assuming a new identity, being part of a loving family, and finding a home in the world ~~ but in the end, it’s only a likeness.