Anne With an E

Normally, once Husband goes to bed, I settle into my reading nook with a book — but these days I have lots of knitting projects in progress for gifts. Especially for those friends and family in colder climes. So, this time of year I turn to television and knit instead.

A few weeks ago, starting on my fourth knitting project, I stumbled across a series on Netflix ~~

Anne With an E — based on the Anne of Green Gables books. 

I must admit I never much warmed to the Anne of Green Gables books, even though my mother adored them — I’ve never shared her enthusiasm. I also found the various screen adaptations over the years one-dimensional and often annoying.

However this 2017-2020 Canadian series won me over. This is a broad retelling of a big-hearted orphan girl in a small Canadian town. By broad, I mean there are racial issues, gender inequality, sexual harassment, and even homosexual acceptance. This series aims high and wide, with diversity and acceptance as on-going themes.

Anne With an E remains set in the late 1800s, and perhaps these new story lines are a tad progressive for strict historical accuracy, but they work nevertheless, and serve as reminder that struggles for acceptance and equality are not unique to our times.

Anne survives on her ability to use her imagination as a defense mechanism and she remains generally upbeat despite the abuse in her past and the callousness of many of the grown-ups in her present. Anne’s most delightful pronouncement:

“When you are imagining, you might as well imagine something worthwhile.”

The series cast is absolutely wonderful with spot on performances — Anne is perfectly cast. Other notables include Geraldine James as Marilla

and a witty 90-year old Corinne Conley who steals every scene she’s in. (Think Maggie Smith in Downton Abby)

Anne With an E is beautifully filmed on location on Prince Edward Island — just feast your eyes.

Sadly, a planned fourth season was cancelled. Fortunately, most of the story lines were sufficiently resolved in the final episode. But others remained unresolved, including the painful one of Ka’kwet, a Mi’kmaq First Nation girl who was stolen from her tribe to be ‘assimilated’ in a strick Catholic run school.

I started watching Anne With an E with trepidation, figuring it was something to distract me while I knitted. I was pleasantly surprised and found it both engaging and absorbing. Not the least bit saccharin or one-dimensional.

Some reviewers have pegged it as a darker retelling but I say it’s richer and more compelling.

Look for Anne With an E on Netflix.

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